
PRESS

Tin Church
Gruenert is superb as the flawed Alida. Her facial expressions whether it be anger, confusion, frustration or at times, a bit of happiness are excellent. Physically she doesn’t move much on stage, walking slowly with a gait suggestive of an older woman mentally slipping away.
Both Gruenert and Cuenca have worked together many times, and their rapport and onstage interaction are exciting to watch. 'BURGH VIVANT, Pittsburgh

Shaken & Stirred
The result left a deep, thoughtful, strong impression long after I’d departed the theater..." WRCT Pittsburgh
"...a gripping, emotion-packed drama with considerable moments of comic relief ... " Pittsburgh Post-Gazette
"...Gruenert has a star turn in the surprising role of a long-time AA sponsor, not to mention Happy's beleaguered mother."
Pittsburgh City Paper

'Night, Mother
"Acted with nothing less than brilliance by Virginia Wall Gruenert."
Observer-Reporter
"...Gruenert pulls out all the stops as Thelma...she really displays her acting chops by showing an incredible range of emotions."
Pittsburgh Out Magazine
"...Gruenert's Thelma , meanwhile, is an ...emotional maelstrom..."
Pittsburgh City Paper

What Kind of Woman
Gruenert brings an emotional gravitas to the production. She breathes Nora’s character into life. It is a powerful performance with a full range of emotions on display. ‘burgh Vivant”
"Gruenert and Tanenbaum work together well – they are a textbook example of theatrical chemistry." Stage Biz, NYC

The House of Yes
"Fortunately, Virginia Wall Gruenert, as Mrs. Pascal, has both the jokes and the skill to knock 'em home."
Pittsburgh City Paper
"Mrs. Pascal... is played to perfection by Virginia Wall Gruenert... she is a gorgon of a mother... She has a real knack for delivering Pascal’s deadly one-liners."
Pittsburgh Theater Today


_JPG.jpg)






